how out-of-place, how offhand it seems in the larger context of the play. Therein lies the secret to the enduring love affair audiences have with him. This is an enormous question. Atlantic Monthly, the famous Shakespearean Harold Bloom offers an idiosyncratic reading of the speech along the latter lines: It is a testimony, indeed, to the power of the mind over a universe of death, symbolized by the sea, which is the great hidden metaphor. Polonius then enters, saying that Hamlet is going to meet with his mother, and declaring his intention to hide behind an arras and listen to their conversation. Hamlet manically chatters with Claudius, Polonius, Gertrude and Ophelia, reserving special attention for the latter, whom he sits next to and teases. Rosencrantz and Guildenstern are Dead, a play that was later adapted into a film, playwright and screenplaywright Tom Stoppard imagines the various wordplays. Polonius suggests in parting that Claudius arrange a private interview between Hamlet and his mother after the play that evening and Claudius agrees. As Claudius is vainly attempting to pray, Hamlet comes up behind him. He recognizes the decay of the Danish society (represented by his Uncle.
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Yet, at the same time, he is an existential thinker who accepts that he must deal with life on its own terms, that he must choose to meet it head. In the middle of the urgent business of revenge, Hamlet takes the time to explore the nature of death and human life with a subtlety and eloquence that renders the speech unforgettable. This odd, out-of-place effect of the speech is a testament to Hamlets tendency to become wrapped up in his own thoughts, regardless of his surroundings. She cries for help. On stage, the basic form of the alleged murder is repeated: a king danger Behind the wheel and queen are shown happily married; the king takes a nap; a poisoner enters and pours something in the kings ear, killing him; the poisoner than takes possession of the queen. The young and presumably innocent Ophelia is besieged and defined by fantasies of female lewdness and she has little power to do anything about. Claudius but also understands that he can blame no social ills on just one person. He describes the two as opposites, the one all nobility and virtue, the other all deformity and vice. Quickly forgetting about this death, Hamlet seats his mother down and presents her with two portraits, one of her first husband and the other of Claudius. After complimenting Horatio in the most sterling terms, Hamlet asks his friend to assist him in watching the kings response to the play they are about to see (apparently Hamlet has by this time told Horatio what the ghost revealed).
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